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Hotel Okura Tokyo, Japan. Log into your account. LOG IN. Similar floor-mounted RGBW-LED profiles, mounted behind the glass wall, allow for an upward grazing light effect on the backdrop, emphasising and intensifying the texture. Some of the seating areas are accentuated by pendant luminaires, courtesy of XAL and Artek, while the large flex-use seating zones at the centre of the dining room are more evenly illuminated with Soraa spots embedded into a custom-designed, grid-like structure. As a result, Licht Kunst Licht developed the idea of a metre-long, floor-to-ceiling artificial panorama window. The focal point for visitors is the free-flow area with the food counter. However, while the panorama window is an impressive, innovative solution to the lack of natural daylight, Sternkopf had to work to convince the district government that the window had no harmful effects on the health of the employees. The photograph is printed on a folded plasterboard, which is applied to an existing concrete wall. As a result, the amount of seats could be increased from to An essential design task in the renovation of the sqm space was the introduction of an additional daylight component and a reference to the outside world. Sternkopf and her team argued that the added value for the user could only be established through artificial light that simulates natural light with daytime-related and annual variations, dynamic changes in light colour, light direction and intensity, while simultaneously supporting the circadian rhythm of the occupant. These fixtures create light colours in orange hues for the scenes during sunrise and sunset. However, comprehensive studies undertaken by the German lighting design firm demonstrated that, with the small window openings that could be established, the daylight intake would be minimal, and the positive effects of natural light and a view to the exterior would be imperceptible. Xiqu Centre, Hong Kong. All luminaires are programmed to create an atmosphere similar to daylight, with gentle light transitions intended to create the impression that occupants are in a room illuminated primarily with daylight and only supplemental electrical light. Towards the exterior wall is a narrow zone with a group of four-person tables, which is surrounded by building columns and a lower ceiling, making it suitable for quiet and more confidential conversations. A floor-to-ceiling glazed window is located in front of the photograph, protecting it from dust and damage, while enhancing the impression of a window to the outside. Suzhou Olympic Sports Centre, China. The wooden furniture designed for the project creates punctual warm accents that contrast with the black seating. Okay, thank you.{/INSERTKEYS}{/PARAGRAPH} The largest area, with long wooden benches under an open white ceiling, is the central meeting point for larger groups to eat and exchange ideas. Of course, this is not only due to the lighting, but the client also mentioned that the seats at the window are always occupied first, which is an indication of the successful implementation of the concept. A renovation was therefore badly needed. {PARAGRAPH}{INSERTKEYS}Few people would suggest a basement without daylight as an ideal location for a cafeteria. Recover your password. While the project may have presented some difficulties to Sternkopf and her team, she feels that any problems that they encountered only helped lead them to the end result. Extending across the entire canteen rear wall, it compensates for the lack of daylight by establishing a mimicked relation with the exterior. This renovation saw the architecture and lighting of the staff restaurant and associated kitchen optimised; the crooked and inefficiently used dining area and kitchen plan layouts were fundamentally simplified, and free flowing, interlocking functional areas were established. Even though this was only a small project, it shows what added value a human centric lighting concept could generate for users. The colour temperature of the circulation lighting and the illumination of the adjacent open kitchen area is also variable, and is controlled in sync with the panorama window wall. Coupled with the inadequate technology, illumination and functionality, the space had a distinct lack of daylight and flair, which affected the overall quality of the space. The illumination for these different zones is, as intended, more akin to a restaurant than a canteen: warm and inviting. As a result our lighting design suddenly focused on generating this subsequent daylight input.